Lace Facade Model
Lace Facade Model Unifying Process Overview Fingers of Programme Motifs Integrated Into Pattern Development of Facade Interior View Courtyard View

Lace Facade Model

Architecture: Flowspace- Jonathan Dawes, Fumiko Kato, Yuki Koe
Urbanism: Pool Architecture & Urbanism- Dagobert Bergmans
Structure: Arup- Carolina Bartram

Bedford Cultural Quarter, Bedford, Bedfordshire, UK- 2004

RIBA ideas competition for the redevelopment of Bedford Cultural Quarter.
Castle Lane, Bedford is composed of a disparate number of buildings and spatial types of limited quality. The zone has become a stagnant territory where significant features and spatial qualities have either been partially erased or made insignificant by a succession of opposing modes and patterns of occupation. The zone is almost impenetrable from the main areas of activity adjacent; characteristic narrow void spaces providing the only means of access from the High Street. The area's key programmatic assets, the Bedford Museum and Cecil Higgins Art Gallery are concealed when approached from the River Embankment, the most significant edge to the site with respect to its cultural and leisure potential.
Bedfordshire is historically renowned for lacemaking; Bedfordshire lace is a length lace, whereby the whole of the pattern and ground are made in one continuous process. We established this as a starting point for reinterpreting the site and surroundings, as a method of integrating the context of the site in its entirety.

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